| John Swartzwelder | |
|---|---|
Swartzwelder in a 1992 staff photo for The Simpsons |
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| Born | November 16, 1950 United States |
| Occupation | Television writer, novelist |
| Period | The Simpsons: 1990-2004, 2007 Novels: 2004-present |
| Genres | Observational humor, surreal humor, black comedy, detective fiction, absurdism |
| Subjects | The Simpsons, Frank Burly |
John Swartzwelder (born November 16, 1950) is an American comedy writer and novelist, best known for his work on the animated television series The Simpsons, as well as a number of novels. He is credited with writing the largest number of Simpsons episodes (59 full episodes, with contributions to four others) by a large margin.[1] Swartzwelder was one of several writers recruited to The Simpsons from the pages of George Meyer's Army Man magazine.
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Swartzwelder attended high school in Renton, Washington. Swartzwelder started out with a career in advertising,[2] after which he began writing for Saturday Night Live, where he met George Meyer.[3] After Meyer quit and created the magazine Army Man he recruited Swartzwelder to help him write it.[4] Meyer noted on Army Man: "The only rule was that the stuff had to be funny and pretty short. To me, the quintessential Army Man joke was one of John Swartzwelder's: 'They can kill the Kennedys. Why can't they make a cup of coffee that tastes good?' It's a horrifying idea juxtaposed with something really banal—and yet there's a kind of logic to it. It's illuminating because it's kind of how Americans see things: Life's a big jumble, but somehow it leads to something I can consume. I love that."[5] In 1988, Sam Simon, a reader of Army Man, recruited both Swartzwelder and Meyer to write for a new Fox animated sitcom he was executive producing; The Simpsons.[5]
By 1994, with the show's sixth season, Swartzwelder was granted a special dispensation and allowed to no longer attend rewrite sessions with the rest of the staff, instead being allowed to send drafts of his scripts in from home so other writers could revise them as they saw fit. This was a direct result of Swartzwelder's avid smoking coming into conflict with a newly implemented policy banning smoking in the writers' room.[6] His longtime collaborators on The Simpsons, Al Jean and Mike Reiss, describe Swartzwelder as a huge fan of Preston Sturges films and loves "anything old timey American." This vaguely defined aesthetic presents itself in many of the episodes he has written in the form of wandering hobos, Prohibition-era speakeasies, carnies, 19th-century baseball players, aging Western movie stars, and Sicilian gangsters.
According to Matt Groening, Swartzwelder used to write episodes while sitting in a booth at a coffee shop "drinking copious amounts of coffee and smoking endless cigarettes". When California passed an anti-smoking law, Swartzwelder bought the diner booth and installed it in his house, allowing him to continue his process in peace.[6] He is also reported to be a staunch libertarian as well as a gun rights advocate, and despite having written many of the environmentally driven episodes, he has been described as an "anti-environmentalist".[7] David Cohen once related a story of Swartzwelder going on an extended diatribe about how there is more rain forest on Earth now than there was a hundred years ago.[7]
With the exception of his contributions to the movie,[8] released in 2007, Swartzwelder has been absent from The Simpsons writing staff since the fifteenth season (2003–04), with his last airing episode ("The Regina Monologues") actually being a "holdover" written for the fourteenth (2002–03) season. Since leaving The Simpsons, he has taken up writing absurdist novels, beginning with the 2004 publication of science-fiction detective story The Time Machine Did It starring private investigator Frank Burly. The next year he published Double Wonderful, a Western, before returning to the Burly character for How I Conquered Your Planet in 2006, The Exploding Detective in 2007, Dead Men Scare Me Stupid in 2008, Earth vs. Everybody in 2009, The Last Detective Alive in 2010, and The Fifty Foot Detective in 2011.[9]
Swartzwelder is a notorious recluse and rarely, if ever, makes public appearances.[2] At one point fans of The Simpsons on the internet debated his existence, combining his reclusiveness with the number of episodes credited him, and theorized that "John Swartzwelder" was actually a pseudonym for when writers either did not want to take credit for an episode or else episodes penned by several writers in concert.[10]
He has also famously not participated in any of the audio commentaries on the The Simpsons DVD sets to date, despite being asked multiple times. Executive Producer David Mirkin even offered to have him make a brief appearance in a prerecorded bit in which he would be asked if he wanted to take part and he would respond, "No," as an ironic punchline, but he refused. During the recording for the ninth season (released December 2006) episode "The Cartridge Family"'s commentary show runner Mike Scully called Swartzwelder's home on the phone. After speaking for a few minutes with him (presumably), the man on the other end of the phone ended the call by saying, "It's too bad this really isn't John Swartzwelder".[11]
Swartzwelder has been animated in the background of several episodes of The Simpsons. His animated likeness closely resembles musician David Crosby, which prompted Matt Groening to state that anytime that David Crosby appears in a scene for no apparent reason, it is really John Swartzwelder.[12] Additionally, Matt Groening has stated that the recurring character Herman was originally physically based on Swartzwelder–with the exception of his one arm.[13] Some of the episodes in which Swartzwelder has appeared include:
In addition to having his likeness animated into the show, various references to him have been slipped in, such as his name being used in "freeze frame" jokes.